Filling our world with Gods: Make God-Bombing a Thing

So I live in a very artistic town. It’s a step away from being an artists’ colony and if you randomly kicked someone on main street, chances are you’d be kicking an artist (why you’d want to randomly kick some poor dude on main street, I don’t know lol. Better to buy his art).

Because of this, there’s some really interesting graffiti throughout the town. One is a huge mural of a Native American spirit, the guardian spirit, perhaps one of the Goddesses of the Wappingers who once had sovereignty in this part of the land, and it shows the river, and markers in the town, and modern residents all flowing out of her benevolence.

One is a faceless man with an awesome hat, funky fish and snakes twined into patterns marking a local distillery.

Those are licit, done with permission of the owners and/or town, but there are others; a little dog in white paint behind the pharmacy, a dancing ghost-girl on the bricks of an alley way, an entire mural of children playing and ghosts and trees and fire on the side of our health food store that just appeared almost overnight when the lot next door was rendered empty. We like these things in my town and personally I think they’re very cool.

There are also more contested expressions of art: yarn bombing, which I think is a hoot in hell and love to see but which likewise gets some old-timers up in arms both online and off (the level of pissed off I’ve seen over yarn bombing is truly amazing); and occasionally odd art installations cropping up in the nooks and crannies of the town’s architecture. I love it all. My favorite is probably a bit of graffiti on a rock by one of the hiking trails on the way to the next town. It says “I love you to the Moon and back” with a picture of the full moon. That just screams Mani to me.

So where am I going with all of this and what the fuck is ‘God-bombing?’ Well, nothing nefarious. Y’all have heard of “glamour bombing?” It’s the same thing but with images for our Gods. It’s land art and public art installations (you can apply for permits locally and make this all above board) and temporary graffiti I absolutely am not encouraging anyone to break the law. There are a lot of ways we can bring our Gods out of hiding without doing that.

  • chalk graffiti – it washes off.
  • Pinning up posters and images (instead of graffiti)
  • Public shrines – I’m already running the public shrine project—start making this a real thing in the woods, in parks, on empty lots, everywhere you can. Understand that they will probably eventually be taken down or yield to the elements. A certain non-attachment is necessary here, but the synergy of doing this type of temporary shrine as an act of devotion is powerful.
  • Ask permission of storeowners to paint outside. If you’re an artist, some will permit you to do a piece on the side of their buildings (at least in my town).
  • For the Gods of harvest, flowers, bounty, and land: seed bomb.
  • Public re-enactments and skald-on-the-street style telling of stories
  • Hit the local poetry slams with prayer-poems for the Gods
  • Do you have any statues of Gods in your town? (We have one of Hebe randomly set up in a local cul-de-sac. It was part of a watering trough for horses and after the world transformed over to cars instead, the trough part went away and locals set up just the statue). Start tending it and leaving offerings. Reclaim it as sacred.
  • Join your local cemetery committee (usually split equally between Protestants and Catholics) and do good work, all the while being completely open about being a polytheist. Talk openly about honoring the dead.
  • Write an article for your most local paper on one of our holidays.
  • Run for local school board or other local office
  • Get a permit and hold a local procession and celebration on a festival day

Make it as establishment and anti-establishment as the Gods, ancestors, and land spirits call.

Sarenth Odinsson offered some interesting ideas when I talked to him about this recently:

“Something I did when I lived on campus and attended Eastern Michigan University: was there were statues all over the place.  There was a tradition of leaving pennies for the statue of a ballet dancer, and I made regular visits with Dr. Martin Luther King, Jr.’s statue, occasionally leaving him offerings. Leaving flowers in local graveyards, tending local statues, cleaning up parks and leaving offerings are other ways of doing things too. 

Maybe make creches, or start something akin to what we have here: local fairy doors. Literally made for the faeries sold out of local shops and placed near the entrance but not in walkways. Folks leave offerings, often money, that even the local homeless know better than to pick up. We could do something similar, like Hermes, Odin, and similar charms which would fit in alongside other art installations and not be out of place alongside charms against the evil eye.”

I’m sure there are a ton of things that we could do that I haven’t thought of here. I’d love to hear your suggestions. Everywhere I look in almost every American town Christian churches dominate the visual landscape of the town. That’s fine – they’re entitled to their sacred spaces but so are we so let’s get out there and make some. Let’s put the radical in radical polytheist. 🙂

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(Photo credit: Susan Dilger / TaosEdge It was taken in a very old cemetery in Taos. Used with permission.)

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About ganglerisgrove

Free-range tribalist Heathen, Galina Krasskova, has been a priest of Odin and Loki since the early nineties. Originally ordained in the Fellowship of Isis in 1995, Ms. Krasskova also attended the oldest interfaith seminary in the U.S.- the New Seminary where she was ordained in 2000 and where she later worked as Dean of Second Year Students for the Academic year of 2011-2012. She has even given the opening prayer at the United Nations Conference “Women and Indigeny”. Beyond this, she took vows as a Heathen gythia in 1996 and again in 2004, She is the head of Comitatus pilae cruentae and a member of the Starry Bull tradition. She has been a member of numerous groups through the years including the American Academy of Religion. She has also served previously as a state government contracted expert on the Asatru faith, and been a regular contributor to various print and online publications geared towards modern pagans and polytheists, and for a time had her own radio program: Wyrd Ways Radio Live. Ms. Krasskova holds diplomas from The New Seminary (2000), a B.A. in Cultural Studies with a concentration in Religious Studies from Empire State College (2007), and an M.A. in Religious Studies from New York University (2009). She has completed extensive graduate coursework in Classics (2010-2016) and is pursuing a Masters in Medieval Studies at Fordham University (expected graduation 2019) with the intention of eventually doing a PhD in theology. She has also been teaching University classes in Greek and Latin. As part of her academic career Ms. Krasskova has written a number of academic articles, and also presented at various academic conferences including Harvard University, Claremont University, Fordham University, Ohio State University, Western Michigan University, Villanova University, and the City University of New York. An experienced diviner and ordeal master, her primary interest is in devotional work and the reconstruction of Northern Tradition shamanism. Her very first book, The Whisperings of Woden was the landmark first devotional text to be written in modern Heathenry. Ms. Krasskova has a variety of published books available running the gamut from introductory texts on the Northern Tradition, as well as books on shamanism, runes, prayer, and devotional practices. She is also the managing editor of “Walking the Worlds,” a peer-reviewed academic style journal focusing on contemporary polytheism and spirit work and the first journal of polytheology. While very busy with teaching and school, she does also occasionally lecture around the country on topics of interest to contemporary Heathenry and polytheisms. A passionate supporter of the arts Ms. Krasskova enjoys going to the opera, theater, and ballet. Her affection for the arts began early as she discovered dance, which she pursued professionally becoming a ballet dancer: first with a regional company in Maryland, then in New York City. After suffering career ending injuries, she would find new forms of expression in the visual arts. For a few years Ms. Krasskova co-owned an art gallery in the Hudson River Valley of New York, and over a course of numerous years she has studied a multitude of art mediums: glassblowing, watercolor, acrylic, photography and more! She is now an avid collage artist, acrylic painter and watercolorist and has even enjoyed placement in international artist-in-residencies programs in New York, New Mexico, and Poland. Her work has been exhibited globally from New York to Paris. She has taken her passion for the arts and polytheistic devotion, to create the Prayer Card Project. Since so much religious iconography has been destroyed, or defaced in the course of human history, she is actively making new religious prayers and iconography available to the various modern polytheistic communities to support those who are building their religious communities, building their devotional practices, and hungering for art that represents their religious faith. All while also supporting the artists within these burgeoning communities.

Posted on March 19, 2016, in Art, devotional work, Lived Polytheism, Public Shrine Project, Uncategorized and tagged , , , , , , . Bookmark the permalink. 2 Comments.

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