Cento V

The mysteries are not for the unbeliever.
We destroy the paths of rivers to make room for the sea.
This dancing took many deaths.
My ecstasies changed to an ugly cry,
and the loss of things desired.
We hushed the ancient glory.
Fear is a house gone dry.
The violent space cries silently.

He led me trembling cold into the dark forest,
Taught me the secret rites—
a cautionary tale for whoever knows how
to read the clues.
What we used to be is gone.
Shadows grew in my veins.
The blackness rose before me like a wall,
Wound infected to the bone.
This is the barrenness
Of harvest or pestilence.

The scavenger crow knows.
Make them dead white and dry bone bare.
You have to fight magic with magic –
Marry a monster.
The first slaughter is for victory,
But the second slaughter is for grief.
To Him my other life.
I am broken at last,
Grown colorless
with razorblade eyes.
This is what it means to die amongst barbarians.

I once lost track of the medicine I held so blithely,
after I died forever in the river.
The battle is there, the inevitability of it all.
Shadow of darkness over the enemy field,
This hunger bewilders me.
There are grotesques who shine a dark light that lures us,
like how the sirens tried to lure Odysseus.
Night, like dead water, sows together
The tattered contours of the past.
The dark God broke out of the earth,
A ghoulish guard of love.

I accept this covenant, this way of life as true.
I prayed under His cloak
A voice from the distant past, an evocation,
(the sweet honey of the old cadence,)
In the hour of its agony, render;
one scarlet flower is cast on the blanch-white stone.
(their ten years’ war had ended.
It was an adventure much could be made of.)
Good spirits, not evil ones, choose us for their instrument.
I wasn’t myself in a kingdom of unnamed animals and totem trees
But never wished to unsay my vows.
Violence stands like a blaze at our doors.

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[With respect to Euripides, Robin Robertson, Adam Clay, Daniel Schoonebeek, Siegfried Sassoon, Leah Umansky, Etheridge Knight, Anthony Madrid, Ciaran Carson, Muriel Rukeyser, Tom Sleigh, Carolyn Kizer, Louise Glück, Fiona Sampson, A.E. Stallings, Lucia Perillo, H.D., Seamus Heaney, Barbara Jane Reyes, Solmaz Sharif, `David Perry, Lia Hunter, Matthew Sweeney, Traci Brimhall, Grigori Dashevsky, Jennifer Moxley, Stephane Mallarme, Ezra Pound, James Doyle, Brian Culhane, Mark Strand, Czeslaw Milosz, Yusuf Komunyakas.]

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About ganglerisgrove

Free-range tribalist Heathen, Galina Krasskova, has been a priest of Odin and Loki since the early nineties. Originally ordained in the Fellowship of Isis in 1995, Ms. Krasskova also attended the oldest interfaith seminary in the U.S.- the New Seminary where she was ordained in 2000 and where she later worked as Dean of Second Year Students for the Academic year of 2011-2012. She has even given the opening prayer at the United Nations Conference “Women and Indigeny”. Beyond this, she took vows as a Heathen gythia in 1996 and again in 2004, She is the head of Comitatus pilae cruentae and a member of the Starry Bull tradition. She has been a member of numerous groups through the years including the American Academy of Religion. She has also served previously as a state government contracted expert on the Asatru faith, and been a regular contributor to various print and online publications geared towards modern pagans and polytheists, and for a time had her own radio program: Wyrd Ways Radio Live. Ms. Krasskova holds diplomas from The New Seminary (2000), a B.A. in Cultural Studies with a concentration in Religious Studies from Empire State College (2007), and an M.A. in Religious Studies from New York University (2009). She has completed extensive graduate coursework in Classics (2010-2016) and is pursuing a Masters in Medieval Studies at Fordham University (expected graduation 2019) with the intention of eventually doing a PhD in theology. She has also been teaching University classes in Greek and Latin. As part of her academic career Ms. Krasskova has written a number of academic articles, and also presented at various academic conferences including Harvard University, Claremont University, Fordham University, Ohio State University, Western Michigan University, Villanova University, and the City University of New York. An experienced diviner and ordeal master, her primary interest is in devotional work and the reconstruction of Northern Tradition shamanism. Her very first book, The Whisperings of Woden was the landmark first devotional text to be written in modern Heathenry. Ms. Krasskova has a variety of published books available running the gamut from introductory texts on the Northern Tradition, as well as books on shamanism, runes, prayer, and devotional practices. She is also the managing editor of “Walking the Worlds,” a peer-reviewed academic style journal focusing on contemporary polytheism and spirit work and the first journal of polytheology. While very busy with teaching and school, she does also occasionally lecture around the country on topics of interest to contemporary Heathenry and polytheisms. A passionate supporter of the arts Ms. Krasskova enjoys going to the opera, theater, and ballet. Her affection for the arts began early as she discovered dance, which she pursued professionally becoming a ballet dancer: first with a regional company in Maryland, then in New York City. After suffering career ending injuries, she would find new forms of expression in the visual arts. For a few years Ms. Krasskova co-owned an art gallery in the Hudson River Valley of New York, and over a course of numerous years she has studied a multitude of art mediums: glassblowing, watercolor, acrylic, photography and more! She is now an avid collage artist, acrylic painter and watercolorist and has even enjoyed placement in international artist-in-residencies programs in New York, New Mexico, and Poland. Her work has been exhibited globally from New York to Paris. She has taken her passion for the arts and polytheistic devotion, to create the Prayer Card Project. Since so much religious iconography has been destroyed, or defaced in the course of human history, she is actively making new religious prayers and iconography available to the various modern polytheistic communities to support those who are building their religious communities, building their devotional practices, and hungering for art that represents their religious faith. All while also supporting the artists within these burgeoning communities.

Posted on March 24, 2016, in Odin, Poetry, Uncategorized and tagged , , , . Bookmark the permalink. 2 Comments.

  1. Ugh. Beautiful, but somehow bittersweet. Sounds like a warrior recalling a battle that was doomed from the start, but they’d still do it all the same given the chance to do it again. Maybe my interpretation is too pessimistic.

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  2. Reblogged this on Happy souls in Hell (enjoying mental difficulties) and commented:
    Well wrought.

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