Cento VI

There is no armour against fate.
You are near me once more,
A corpse with streaming hair,
A graveyard shudder,
Dread, unwearable fire.
His shadow falls on mine.
Nought stands but the valiant heart to face pain.
There is no armour against fate.

Scarlet banners rush through the sadness of maples.
In the dusk of eternity meet,
Gaunt the shadow,
Disciplined in the school of hard campaigning,
Discovered new and strange.
There is no armour against fate.

A mightier pain nourishes this hot flame of the spirit.
The butcher-bird sings,
Doom is sealed in gold and blood,
Caught in the snare of the bleeding air.
There is a war between the mind and sky,
Such tasty honey oozing from the heart.
I am afraid to lose you.
There is no armour against fate.

Last night like moths burned on the moon,
The whole sky turned too hot.
Courage was mine and I had mystery.
First war resembles a beautiful mouth,
On the sacred, dolorous way.
Soldiers never do die well.
Hide that red wet –
Of ancient glory sweetly told.
All the dead kings came to me.
There is no armour against fate.

Blessed are the dead that the rain rains upon.
I hear the great drums pounding:
Death’s red sickle is reaping tonight.
I bled for You.
Conferring crimson shades
Set dead lips to talking.
Victor and vanquished are a-one.
When the burning moment breaks,
There is music in the midst of desolation.
There is no armour against fate.

A storm stopped on the place of tombs.
Somber the night is.
Good fury He may feel
Hallows a phantom ground,
Sings sorrow up into immortal spheres.
The darkness crumbles away
What heart aghast
Helpless among the living and the dead.
Its silence I hear and obey.
It will be spoken of among half-forgotten,
Whished-to-be forgotten things:
There is no armour against fate.

cemetery

[With respect to James Shirley, Guillaume Apollinaire/A. Hyde Greet, Edwin Muir, Georg Trakl/John Hollander, Homer/Tennyson,7th C. Arabic anonymous/Charles Lyall, Francis Miles Finch, Herman Melville, Horace, Milton, Percy Bysshe Shelley, Charles Causley, Wallace Stevens, Robert Graves, Yvor Winters, Richard Wilbur, Keith Doublas, Wilfred Owen, Shmuel Ha-Nagid/Peter Cole, May Sinclair, John Cornford, Carl Sandburg, Ernest Hemingway, Ivor Gurney, Francis Ledwidge, Edward Thomas, Walt Whitman, Mark R. Slaughter, Robert William Service, Alice Corbin, Charles Hamilton Sorley, Julian Grenfell, Robert Laurence Binyon, G.K. Chesterton, Isaac Rosenberg, Siegfried Sassoon, Henry Newbolt.]

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About ganglerisgrove

Free-range tribalist Heathen, Galina Krasskova, has been a priest of Odin and Loki since the early nineties. Originally ordained in the Fellowship of Isis in 1995, Ms. Krasskova also attended the oldest interfaith seminary in the U.S.- the New Seminary where she was ordained in 2000 and where she later worked as Dean of Second Year Students for the Academic year of 2011-2012. She has even given the opening prayer at the United Nations Conference “Women and Indigeny”. Beyond this, she took vows as a Heathen gythia in 1996 and again in 2004, She is the head of Comitatus pilae cruentae and a member of the Starry Bull tradition. She has been a member of numerous groups through the years including the American Academy of Religion. She has also served previously as a state government contracted expert on the Asatru faith, and been a regular contributor to various print and online publications geared towards modern pagans and polytheists, and for a time had her own radio program: Wyrd Ways Radio Live. Ms. Krasskova holds diplomas from The New Seminary (2000), a B.A. in Cultural Studies with a concentration in Religious Studies from Empire State College (2007), and an M.A. in Religious Studies from New York University (2009). She has completed extensive graduate coursework in Classics (2010-2016) and is pursuing a Masters in Medieval Studies at Fordham University (expected graduation 2019) with the intention of eventually doing a PhD in theology. She has also been teaching University classes in Greek and Latin. As part of her academic career Ms. Krasskova has written a number of academic articles, and also presented at various academic conferences including Harvard University, Claremont University, Fordham University, Ohio State University, Western Michigan University, Villanova University, and the City University of New York. An experienced diviner and ordeal master, her primary interest is in devotional work and the reconstruction of Northern Tradition shamanism. Her very first book, The Whisperings of Woden was the landmark first devotional text to be written in modern Heathenry. Ms. Krasskova has a variety of published books available running the gamut from introductory texts on the Northern Tradition, as well as books on shamanism, runes, prayer, and devotional practices. She is also the managing editor of “Walking the Worlds,” a peer-reviewed academic style journal focusing on contemporary polytheism and spirit work and the first journal of polytheology. While very busy with teaching and school, she does also occasionally lecture around the country on topics of interest to contemporary Heathenry and polytheisms. A passionate supporter of the arts Ms. Krasskova enjoys going to the opera, theater, and ballet. Her affection for the arts began early as she discovered dance, which she pursued professionally becoming a ballet dancer: first with a regional company in Maryland, then in New York City. After suffering career ending injuries, she would find new forms of expression in the visual arts. For a few years Ms. Krasskova co-owned an art gallery in the Hudson River Valley of New York, and over a course of numerous years she has studied a multitude of art mediums: glassblowing, watercolor, acrylic, photography and more! She is now an avid collage artist, acrylic painter and watercolorist and has even enjoyed placement in international artist-in-residencies programs in New York, New Mexico, and Poland. Her work has been exhibited globally from New York to Paris. She has taken her passion for the arts and polytheistic devotion, to create the Prayer Card Project. Since so much religious iconography has been destroyed, or defaced in the course of human history, she is actively making new religious prayers and iconography available to the various modern polytheistic communities to support those who are building their religious communities, building their devotional practices, and hungering for art that represents their religious faith. All while also supporting the artists within these burgeoning communities.

Posted on March 31, 2016, in Poetry, Uncategorized and tagged , , . Bookmark the permalink. 5 Comments.

  1. If you keep this up, you may need to publish a compilation of these poems.

    Liked by 1 person

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