Cento VII

We harden like trees, like rivers grow cold.
I roamed with my soul.
Love bade me welcome; yet my soul drew back,
Not a whisper, not a thought,
The divine intoxication…
Can you love something distant and strange?
I would empty my soul of the dreams
That have gathered in me.

He spoke; He reached out:
“Every part of you that broke
I carried in my throat.”
Break me broken.
Leaves like feast-day offerings
Wind an altar,
Blossomed and faded, our faces between,
With voices sad and prophetic.
I’m here with shadows.
Over those fires no one could walk.

It came to me we had resumed.
What was written in blood has been set up again,
Half deathless, half mortal,
Crown’d with warlike fires and raging desires.
You will follow the bare scarified breast.
It is noble to die of love,
And honorable to remain.
Some dull cowardice called a world vanishes.
Into the ragged meadow of my soul
Like a diamond
The nectar of the divine name,
The scar of this encounter like a sword —
Like a sword be without a trace of soft iron.
That is how You came here.

I too can go into a grave made only of air.
I celebrate our old, eternal custom.
Passion has brought me to this clearing of the ground.
The name of the Dark One has entered my heart.
This roaming killer came in a fury.
Dreams! Adorations! Illuminations!
I boil my tears in a twisted spoon,
Trembling with fear.
Oh sweet cautery,
I abandoned and forgot myself,
where the desires of two come together.
I am Your reflection.
You are Master of the Hunt.

Our backs gleam
Shards in a tender torrent.
A fight is a kind of dance,
Beautiful rebellion
Of bat-shit particles meant to scatter.
Our deaths keep us company
when nothing else would.
We hurt.
I surrender
I surrender
I surrender.
Worlds collapsing.
You are Master of the Hunt.

storm

[With respect to Lady Mary Wortley Montagu, E. A. Poe, George Herbert, W.H. Auden, Emily Dickinson, Cait Johnson, Sara Teasdale, Ada Gold, Vergil/S. Lombardo, Joshua Davis, Marilyn Hacker, Elizabeth Akers Allen, Henry Wadsworth Longfellow, Agha Shahid Ali, Elizabeth Bishop, James Fenton, Catherine Tufariello, William Blake, Louise Glűck, Ezra Pound, e.e. Cummings, Mirabai, Edna St. Vincent Millay, Rumi, Reginald Gibbons, Euripides, Wendell Berry, Beowulf/Seamus Heaney, Allen Ginsburg, Etheridge Knight, St. John of the Cross, Mechthild of Magdeburg, Monica Ong, Cathy Linh Che, urayoan noel, Douglas Kearney, Sampson Starkweather].

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About ganglerisgrove

Free-range tribalist Heathen, Galina Krasskova, has been a priest of Odin and Loki since the early nineties. Originally ordained in the Fellowship of Isis in 1995, Ms. Krasskova also attended the oldest interfaith seminary in the U.S.- the New Seminary where she was ordained in 2000 and where she later worked as Dean of Second Year Students for the Academic year of 2011-2012. She has even given the opening prayer at the United Nations Conference “Women and Indigeny”. Beyond this, she took vows as a Heathen gythia in 1996 and again in 2004, She is the head of Comitatus pilae cruentae and a member of the Starry Bull tradition. She has been a member of numerous groups through the years including the American Academy of Religion. She has also served previously as a state government contracted expert on the Asatru faith, and been a regular contributor to various print and online publications geared towards modern pagans and polytheists, and for a time had her own radio program: Wyrd Ways Radio Live. Ms. Krasskova holds diplomas from The New Seminary (2000), a B.A. in Cultural Studies with a concentration in Religious Studies from Empire State College (2007), and an M.A. in Religious Studies from New York University (2009). She has completed extensive graduate coursework in Classics (2010-2016) and is pursuing a Masters in Medieval Studies at Fordham University (expected graduation 2019) with the intention of eventually doing a PhD in theology. She has also been teaching University classes in Greek and Latin. As part of her academic career Ms. Krasskova has written a number of academic articles, and also presented at various academic conferences including Harvard University, Claremont University, Fordham University, Ohio State University, Western Michigan University, Villanova University, and the City University of New York. An experienced diviner and ordeal master, her primary interest is in devotional work and the reconstruction of Northern Tradition shamanism. Her very first book, The Whisperings of Woden was the landmark first devotional text to be written in modern Heathenry. Ms. Krasskova has a variety of published books available running the gamut from introductory texts on the Northern Tradition, as well as books on shamanism, runes, prayer, and devotional practices. She is also the managing editor of “Walking the Worlds,” a peer-reviewed academic style journal focusing on contemporary polytheism and spirit work and the first journal of polytheology. While very busy with teaching and school, she does also occasionally lecture around the country on topics of interest to contemporary Heathenry and polytheisms. A passionate supporter of the arts Ms. Krasskova enjoys going to the opera, theater, and ballet. Her affection for the arts began early as she discovered dance, which she pursued professionally becoming a ballet dancer: first with a regional company in Maryland, then in New York City. After suffering career ending injuries, she would find new forms of expression in the visual arts. For a few years Ms. Krasskova co-owned an art gallery in the Hudson River Valley of New York, and over a course of numerous years she has studied a multitude of art mediums: glassblowing, watercolor, acrylic, photography and more! She is now an avid collage artist, acrylic painter and watercolorist and has even enjoyed placement in international artist-in-residencies programs in New York, New Mexico, and Poland. Her work has been exhibited globally from New York to Paris. She has taken her passion for the arts and polytheistic devotion, to create the Prayer Card Project. Since so much religious iconography has been destroyed, or defaced in the course of human history, she is actively making new religious prayers and iconography available to the various modern polytheistic communities to support those who are building their religious communities, building their devotional practices, and hungering for art that represents their religious faith. All while also supporting the artists within these burgeoning communities.

Posted on April 2, 2016, in Poetry, Uncategorized and tagged , , . Bookmark the permalink. 1 Comment.

  1. Reblogged this on The Sovereign of Swords and commented:
    I LOVE this….

    Like

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