A Strange and Frustrating Day

Today was a very frustrating day, for reasons that I’m about to go into. I’ve spent hours searching online for a dollhouse. There is a blessing charm for a home that I learned years ago, that involves a dollhouse and a bit of sympathetic magic. For all that it sounds simplistic, it is surprisingly organic, creative and enjoyable to work, and very, very difficult to break. I’ve been wanting to make one of these for friends of mine who just moved into their first home for some time now. I thought it would be simple (if somewhat expensive) to find the perfect dollhouse and get to work. I was so very wrong.

Now I had a dollhouse when I was a child. When I was seven or eight, my parents took me to a local craftsman’s shop, one who specialized in custom built dollhouses and I got one made to my specifications (within reason and my parents’ budget.). It’s only now that I’m an adult that I realize just what a gift that was. My parents never had much cash to burn. It was a rare indulgence.  I loved that dollhouse though and it was my first introduction to world-building. I don’t think it’s too much of an exaggeration to say that I learned to work magic through the medium of this structure. If I had children, I’d be absolutely sure they had the same opportunity to develop this type of spatial creativity. (Plus, it kept my overly curious ass out of trouble, which was no bad thing lol).

So, anyway, I’ve been collecting small miniatures that I planned to use in this charm for some time now so I figured it was high time I got the house and started putting it all together. It’s a type of hands-on magic I enjoy but rarely get to use. How hard could finding a dollhouse be? Well, holy shit. For one thing, 95% of the dollhouses I found were for kits. One even opined, “Have you always wanted to build your own house?” No fucker. I haven’t. This is what I pay craftsmen for. Die in a fire, thank you. (Though granted, had one the skill, making this type of thing from the ground up would be a very, very powerful addition to the overall charm). So that was annoying, but not what I found really upsetting and aggravating.

Almost all the finished houses I found (on specialty sites, etsy, ebay, etc.) were utter trash. They were cheap, poorly made, often garish, and ugly. They were, essentially, disposable. I’m not sure what bothered me more, the fact they were ugly or the fact they were poorly made. I’ve seen this with a particular relative’s children the first time I visited them: their toys were all mass-produced garbage. They treated it that way too and I realized not ever having something made with care and craft, these kids weren’t learning to take care of nice things. I wonder what their lives will be like as that attitude takes root and grows. Far better to have one thing well and properly made than a dozen pieces of trash.

I realized, talking with my husband and our housemate that part of what was being triggered in me was a series of Duergar related taboos I picked up from my adopted mother. My housemate, a Freya’s woman, was likewise triggered (not surprisingly since Freya has a strong connection to the Duergar and to good craftsmanship). As we were talking this out, I realized that buying shoddy, cheaply made items, mass-produced items, represented the destruction of individual livelihoods, of artisans, artists, and craftsmen. It breaks the essential relationships upon which proper, healthy communities should be built and it ingrains in us a lack of caring for the beauty around us. It takes away the pride in having something well made, making something well, and the ability of the crafter to take pride in his or her labor. There’s a huge difference between mass production and creation. No wonder I ended up having so many problems with this today. On top of that, it’s not enough to have something well made. It has to be the appropriate, proper item for a task too.

Trying to help me out, a friend of mine this morning found a lovely, hand-made dollhouse for me and brought it over. He’d found it on craigslist, a lovely Victorian cottage made in 1920 by a man for his daughter. It didn’t look like what I wanted (for this type of charm, it’s helpful for the house to look as close as possible to the actual environment that it’s to represent) but I figured it was hand-made and had been much loved and I might as well use it, even though my first, gut response had been, “Nooo that’s nice but not right for this.” I should have listened to my gut. Always, listen to your gut! Instead, I started spinning out the magic. Several hours later I was about ready to tear someone’s head off. I was aggravated, irritated, achy, and starting to get a bad headache, not a migraine, but the type of headache I get when magic is going awry. When my husband came in, we spoke about it and I realized that the house just wasn’t right so I took everything out of it, undid the charm, asked the ancestors for help and put things away. I’m still doing cleansings. Tomorrow, I’m probably going to see if my next-door neighbor, who has a small child, would like the house for her kid and then I’ll just give it to her. It’s a beautiful dollhouse, but just wasn’t right for my purposes.

I remember last year I went down the rabbit hole on youtube one day and ended up watching something like eight hours of a BBC show on the Edwardian Farm. Three archaeologists live like Edwardian farmers in a recreated village setting for a full year, following the rhythms of the seasons and introducing the viewer to what life was like in Edwardian England (they did a whole series of these and they’re awesome). One thing that struck me was how interconnected the entire village would have been. The baker gets yeast from the brewer, who gets xyz from the farmer, who relies on someone else for certain goods. It was an interconnected web of existence and interdependence. There was individuality and craftsmanship, a respect for well-made tools that honors the thing itself and the spirit of the thing. With the coming of industrialization (and eventually mass production) that web was broken. Look at our world today and one can easily see the results.

We learn as children how to move in our world through play. We learn to value and respect the connections we make, and to appreciate beauty and art, craftsmanship and care. If that is lacking our world can be a very uneasy, fractured place. If all we are ever exposed to is cheap garbage, what is that teaching us? Far better to support our local craftsmen or our community craftsmen when we can. 

victorian dollhouse

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About ganglerisgrove

Free-range tribalist Heathen, Galina Krasskova, has been a priest of Odin and Loki since the early nineties. Originally ordained in the Fellowship of Isis in 1995, Ms. Krasskova also attended the oldest interfaith seminary in the U.S.- the New Seminary where she was ordained in 2000 and where she later worked as Dean of Second Year Students for the Academic year of 2011-2012. She has even given the opening prayer at the United Nations Conference “Women and Indigeny”. Beyond this, she took vows as a Heathen gythia in 1996 and again in 2004, She is the head of Comitatus pilae cruentae and a member of the Starry Bull tradition. She has been a member of numerous groups through the years including the American Academy of Religion. She has also served previously as a state government contracted expert on the Asatru faith, and been a regular contributor to various print and online publications geared towards modern pagans and polytheists, and for a time had her own radio program: Wyrd Ways Radio Live. Ms. Krasskova holds diplomas from The New Seminary (2000), a B.A. in Cultural Studies with a concentration in Religious Studies from Empire State College (2007), and an M.A. in Religious Studies from New York University (2009). She has completed extensive graduate coursework in Classics (2010-2016) and is pursuing a Masters in Medieval Studies at Fordham University (expected graduation 2019) with the intention of eventually doing a PhD in theology. She has also been teaching University classes in Greek and Latin. As part of her academic career Ms. Krasskova has written a number of academic articles, and also presented at various academic conferences including Harvard University, Claremont University, Fordham University, Ohio State University, Western Michigan University, Villanova University, and the City University of New York. An experienced diviner and ordeal master, her primary interest is in devotional work and the reconstruction of Northern Tradition shamanism. Her very first book, The Whisperings of Woden was the landmark first devotional text to be written in modern Heathenry. Ms. Krasskova has a variety of published books available running the gamut from introductory texts on the Northern Tradition, as well as books on shamanism, runes, prayer, and devotional practices. She is also the managing editor of “Walking the Worlds,” a peer-reviewed academic style journal focusing on contemporary polytheism and spirit work and the first journal of polytheology. While very busy with teaching and school, she does also occasionally lecture around the country on topics of interest to contemporary Heathenry and polytheisms. A passionate supporter of the arts Ms. Krasskova enjoys going to the opera, theater, and ballet. Her affection for the arts began early as she discovered dance, which she pursued professionally becoming a ballet dancer: first with a regional company in Maryland, then in New York City. After suffering career ending injuries, she would find new forms of expression in the visual arts. For a few years Ms. Krasskova co-owned an art gallery in the Hudson River Valley of New York, and over a course of numerous years she has studied a multitude of art mediums: glassblowing, watercolor, acrylic, photography and more! She is now an avid collage artist, acrylic painter and watercolorist and has even enjoyed placement in international artist-in-residencies programs in New York, New Mexico, and Poland. Her work has been exhibited globally from New York to Paris. She has taken her passion for the arts and polytheistic devotion, to create the Prayer Card Project. Since so much religious iconography has been destroyed, or defaced in the course of human history, she is actively making new religious prayers and iconography available to the various modern polytheistic communities to support those who are building their religious communities, building their devotional practices, and hungering for art that represents their religious faith. All while also supporting the artists within these burgeoning communities.

Posted on November 10, 2018, in Uncategorized and tagged , . Bookmark the permalink. 7 Comments.

  1. With the additions of television, video and cell phones… Not that these do not have their place in story and leisure, but when children get too much, there is not appreciation not only for the craftsmanship, but the lack of creative spirit…

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  2. Oh Galina you know that years ago I personally hand crafted a dollhouse for my niece, it was an amazing work to do, I even furnished it inside, hand made the little furniture, everything was in different shades of pink because she asked it so. I even made a tiny toilet for the dolls and a bathtub. And hand made roses for the porch and sew pink fucking curtains made of a beautifully printed cotton fabric. She was delighted!! I never knew there is a charm regarding doll houses, please, please share it, would you be so kind?

    Liked by 1 person

  3. Ah, those good old days of dollhouses…and interdepedence in community. What an irony it is to see strong communities in what are termed “Third World Countries”. When the King of Bhutan was asked in the 1970s by a British journalist about economical problems with the country’s “Gross National Product”, he famously replied “Gross National Happiness is more important”.

    Regarding the Edwardian Farm series, I know how engaging it can be. Anything with Ruth Goodman in it is worth seeing, to be honest. I remember her in a similar & even more lovely series (“Tales from the Green Valley”), but for the Jacobean Period.

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  4. Those Etsy houses were probably made from kits. Even if you’d gone that route it would only have disappointed you because they are themselves crap.

    Liked by 1 person

  5. And we are teaching kids they live in a disposable world, too, which has all sorts of nasty environmental implications.

    Like you, I often go to antique shops, and I find myself looking at all the things that have lasted 100 years or more – and not just special items that might have been particularly treasured, either, but everyday, practical tools as well – and I wonder what will possibly even survive that long from our current culture, and would anyone even want it if it did?

    That Victorian dollhouse picture is amazing, btw. I can’t get over the staircase especially. Wow.

    Liked by 2 people

    • Just for the record, I think the picture i chose is of a dollhouse in the NY historical museum. LOL. it’s not mine!

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