Dionysian Kenosis

(again, rambling…you’ve been warned)

 So, the subject of ‘kenosis’ came up in the first paper I heard today. When I looked it up (because I’m toggling in this conference between Catholic and Orthodox perspectives and also, I’d heard of it solely in the context of a goal of devotional practice), initially I saw it defined as Christ’s rejection of his divine nature during the Incarnation. It’s more complex than that, but that initial definition did get me thinking. Why would this ‘putting aside’ of divine nature have to be ‘rejection?’ So, thinking of our theologies, I’m immediately reminded of Euripides’ play “The Bacchae,” in which the poet has Dionysos declare that (to educate Thebes) He will “put aside His divinity” taking human form. While this is a play, Dionysos is the God of theatre and it does reflect the practices and language and ideas and mysteries related to this particular God. Could one say that what is happening when Dionysos does this is a type of kenosis? (which the theologian just described as ‘self-emptying, taking the form of the servant’).

I wouldn’t describe any of this as a rejection of divine nature. Rejection would imply a permanent disavowal, wouldn’t it? ‘Putting aside’ implies that one can then put it back on (the root of the word ‘rejection’ implies a throwing back of something). Even within the Incarnation, was it a rejection? Was not God the father ever with the son even through the intense humanity and human suffering of the Incarnation? For our purposes did not Dionysos remain divine even when He was wearing human flesh?

Kenosis is more readily Christ’s emptying out of Himself to be open to God’s will. It’s…complicated. I do think ideally, we as devout people should seek to empty ourselves out (the meaning of κενοω) so that we can be filled with our Gods, so that we can be completely receptive to Them and Their will. The lecturer now speaking keeps talking about “self-emptying obedience” and I take issue with the way in which she’s using the latter term…devotion is more active, an active annihilation of all those things that would keep us from being fully open to the Gods. There’s nothing passive in it, save for the receptivity that allows us to eventually experience our Gods. And even within that level of receptivity, whatever obedience there is becomes full alignment, a partnership not an abrogation of personal will but a uniting of that will with our Gods…do Christians mean the same when they use this term?

Back to my initial point, I can totally see kenosis as a means and goal of devotional living (regardless of one’s tradition. I think ultimately we should empty ourselves of ourselves, of all our bullshit so that we can be the most useful tools and servants possible of our Gods. THAT is exactly what devotion entails), but I struggle to see it applied to the incarnated Christ. Returning to Dionysos, which is far more relevant to our praxis than Christ (with all respect to my Christian friends), when He put aside His divinity, was He emptying Himself out so that He could better align with HIS true will?

I want to parse that out…what does it mean that a polytheist could accurately say Dionysos is putting aside His divinity…here’s the Greek:

ὧν οὕνεκ᾽ εἶδος θνητὸν ἀλλάξας ἔχω
μορφήν τ᾽ ἐμὴν μετέβαλον εἰς ἀνδρὸς φύσιν.(Bacchae, line 54)

for which purpose, having set aside my form (lit: that which is seen)
I bear a mortal shape and I have changed mine into the nature (φύσιν) of a man. (my translation)

If we look at ‘nature’ in the Aristotelian sense, it is the motivating essence, the material cause for a thing. It is the essential substance of a thing. In the Heraclitan sense, it is a thing’s natural development. Is Dionysos here lowering Himself down to the human level and allowing things to thus play out according to human rules and decisions? Its opposite is νομός, or law and custom so is this a means of giving more freedom and loopholes for events to play out? Is there a freedom in incarnation not found in the immortal sphere (a horrifying thought)? I was discussing this with Edward Butler (wanted to be sure that I was correct, that this was as intriguing a passage as it always had seemed to me, because surprisingly little’s been made of it in classics) and he noted that, “eidos often means just the visual appearance of something; but what does a mortal look like, qua mortal? Then in the next line we have andros physin, which has the same ambiguity. Physis can mean just the outward appearance of something, but it can also mean something deeper, the “nature” of something. Euripides seems to be playing a bit with the idea that Dionysos is taking on more than just the look of a human.” So, I think something is going on here and I can’t help but wonder if it’s something more than just a poet taking theological and poetic liberties.

Perhaps it makes no sense to make this comparison – Christians do what they do with their theology and kenosis is a particularly Christian theological term—but the entire conversion reminded me so strongly of that passage about Dionysos I could not help but doing playing with it here.

And…I went back to the Greek to the word εἶδος. It is the word from which we get our word ‘icon’ and I believe also ‘idol.’ It is something that can be seen, a form which can be seen. So, Dionysos is transforming His appearance. The presence of the word φύσιν complicates things for me. It has certain specific meanings philosophically, Is it all simply a change in appearance not reality here (unlike the licit view of the incarnation in which the humanity assumed by Christ is reality … unless one is a Docetist lol). I could go round and round with this for hours but I need to stop myself. Argh.

 

EDIT: So, thus am I served for writing this, while taking notes during a lecture, and discussing it all withe a friend via email. I had my etymology wrong above. “icon” comes from “eikon” and ‘idol’ from εἴδωλον. We get our word “idea” from εἶδος. What i wrote above still stands though: Dionysos is transforming into the idea of a mortal man…close enough to appearance to still ask: what does that mean? what is a God’s idea of mortal man and how would that translate to other mortals? 

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About ganglerisgrove

Free-range tribalist Heathen, Galina Krasskova, has been a priest of Odin and Loki since the early nineties. Originally ordained in the Fellowship of Isis in 1995, Ms. Krasskova also attended the oldest interfaith seminary in the U.S.- the New Seminary where she was ordained in 2000 and where she later worked as Dean of Second Year Students for the Academic year of 2011-2012. She has even given the opening prayer at the United Nations Conference “Women and Indigeny”. Beyond this, she took vows as a Heathen gythia in 1996 and again in 2004, She is the head of Comitatus pilae cruentae and a member of the Starry Bull tradition. She has been a member of numerous groups through the years including the American Academy of Religion. She has also served previously as a state government contracted expert on the Asatru faith, and been a regular contributor to various print and online publications geared towards modern pagans and polytheists, and for a time had her own radio program: Wyrd Ways Radio Live. Ms. Krasskova holds diplomas from The New Seminary (2000), a B.A. in Cultural Studies with a concentration in Religious Studies from Empire State College (2007), and an M.A. in Religious Studies from New York University (2009). She has completed extensive graduate coursework in Classics (2010-2016) and is pursuing a Masters in Medieval Studies at Fordham University (expected graduation 2019) with the intention of eventually doing a PhD in theology. She has also been teaching University classes in Greek and Latin. As part of her academic career Ms. Krasskova has written a number of academic articles, and also presented at various academic conferences including Harvard University, Claremont University, Fordham University, Ohio State University, Western Michigan University, Villanova University, and the City University of New York. An experienced diviner and ordeal master, her primary interest is in devotional work and the reconstruction of Northern Tradition shamanism. Her very first book, The Whisperings of Woden was the landmark first devotional text to be written in modern Heathenry. Ms. Krasskova has a variety of published books available running the gamut from introductory texts on the Northern Tradition, as well as books on shamanism, runes, prayer, and devotional practices. She is also the managing editor of “Walking the Worlds,” a peer-reviewed academic style journal focusing on contemporary polytheism and spirit work and the first journal of polytheology. While very busy with teaching and school, she does also occasionally lecture around the country on topics of interest to contemporary Heathenry and polytheisms. A passionate supporter of the arts Ms. Krasskova enjoys going to the opera, theater, and ballet. Her affection for the arts began early as she discovered dance, which she pursued professionally becoming a ballet dancer: first with a regional company in Maryland, then in New York City. After suffering career ending injuries, she would find new forms of expression in the visual arts. For a few years Ms. Krasskova co-owned an art gallery in the Hudson River Valley of New York, and over a course of numerous years she has studied a multitude of art mediums: glassblowing, watercolor, acrylic, photography and more! She is now an avid collage artist, acrylic painter and watercolorist and has even enjoyed placement in international artist-in-residencies programs in New York, New Mexico, and Poland. Her work has been exhibited globally from New York to Paris. She has taken her passion for the arts and polytheistic devotion, to create the Prayer Card Project. Since so much religious iconography has been destroyed, or defaced in the course of human history, she is actively making new religious prayers and iconography available to the various modern polytheistic communities to support those who are building their religious communities, building their devotional practices, and hungering for art that represents their religious faith. All while also supporting the artists within these burgeoning communities.

Posted on June 5, 2019, in Bacchic Things, theology, Uncategorized and tagged , , , , , , , , , , . Bookmark the permalink. 2 Comments.

  1. Thank you for sharing your thoughts on kenosis…and for expanding my vocabulary. It feels good to kick over some dusty brain cells and see embers still within ready to catch fire once more.

    Question: Your example was Dionysos – is there a Northern example? Did the Gods of the Nine Worlds ever cast aside their divinity to experience life as a mortal? Their shape-shifting is legendary, but that’s not the same thing – They retain their divinity in a different form.

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  2. These are interesting questions, and there’s a lot going on here, not only in your thoughts on these matters, but also in the internal dialogues within different disciplines on what these things mean and how they work…

    But, it just occurred to me that when Christians talk of emptying themselves and coming into conformity with the Divine Will and so forth, they’re doing so from a monistic viewpoint: for them, being less themselves is being “more God,” because God is the only “real” reality. This is the problem that many mystics have run into over the years, i.e. the question in Christianity of how one can really tell if one is within or doing God’s Will while still on earth and interacting with others, including the Church, because what if God’s Will then becomes contrary to what the Church says? (That is the root of the “free spirit” heresy for which Marguerite Porete was considered an arch-heretic and was burned on June 1, 1310; her own mystical theological writings, which are sometimes mystagogic, are very much of the “emptying oneself” variety, even if she doesn’t use that exact phrase.) I would argue this is why monism fails as a theological position, because it cannot deal with the full reality of difference and individuality, but that’s a bit of a digression…

    To return to your main point of contrast, though: I think that may have the roots of an answer to your primary inquiry here. Because we are polytheists, we understand distinctiveness and so forth, the choice to empty one’s self of “oneself” (by which, I think, what you’re speaking of is anything and everything that is inessential to our, well, essence…!?!), and to do so is the very active process of devotion, then the way in which a Deity can then “fill” that emptied space is not merely the “true reality” filling that space, which the monistic viewpoint would suggest, but instead the way in which a Deity distinctively fills that space and takes the shape of its container, i.e. the shape of the person being so filled (and fulfilled?) in doing so. As a result, as much as that might be, say, Odin making Odin’s presence in someone’s life more manifest, but it is going to be that distinctive melding of Odin and the deepest essence of that person (the “true emptiness” which will still then be an empty container in a particular shape due to the individuality of that person), which will still be Odinic in its effect, but will be a different type of Odinic presence that that of someone else, etc. It’s the way in which Edward Butler’s polycentric polytheism then reflects ideas about syncretism and Odin being able to embody (let’s say just for the sake of argument–bugger historical precedent!) Apollon, but in an Odinic fashion, so too something like this occurs when such an interface takes place between a suitably emptied person and their Deity of devotion.

    [Though, in fairness, I’d also love to debate the suitability of particular metaphors: what is one’s “essence”? Is it more like the “meat” and “marrow” of someone, their “center” and so forth, via which it is often known and discussed and described in some forms of religious practice, or is it their “boundaries,” their “outline,” the thing that is still distinctively them but emptied of the things we often think of as being “essential” to ourselves but which may not be? Hmm…there may be an essay or something in that!]

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