Midsommar – A Review

 

midsommar-rev4

It was with no small degree of both anticipation and trepidation that I went to see “Midsommar” this weekend. My gold standard for movies of this type is the original “Wicker Man” with Christopher Lee. I did not expect “Midsommar” to come near to this and happily I was wrong. It’s a beautiful, moving, brilliant movie about the emptiness and crass depredation of modernity coming face to face with deep, unshakeable piety.

This is the point that the Pagan reviewers having thus far written about this movie have aggressively missed. It’s a movie about tradition, values rooted in intergenerational piety, and the consequences of growing up in a culture bereft of community, and about the consequences of one’s choices good and bad. It’s not a perfect movie by any means (and I’ll be talking about the things that I particularly disliked below) but it comes close. It is not a horror movie nor, as so many reviewers on youtube have insisted, is it a break up movie. That happens yes, but it is the culmination of the main character’s spiritual and emotional journey, a natural conclusion to her transition out of polluted, disconnected existence and into tribe and family. (There is a powerful dream sequence where we see this visually depicted: Dani, the main character exhales and a huge billow of black smoke comes out of her mouth. I and my husband looked at each other and I whispered, “she’s expelling pollution” and from that point on, she begins integrating more and more fully into the community that eventually accepts her).

Spoilers ahead. You have been warned.

*
*
*
*
*
*
*
*
*
*
*
*
*
*
The movie begins with Dani and her boyfriend Christian on the verge of a break up. That is postponed when she suffers a terrible personal tragedy and Christian, out of his depth but not wanting to be a total dick, decides not to break up with her. From there, a Swedish friend Pelle invites Christian and some other doctoral students to his hometown for a special 9-day celebration that only takes place every 90 years. Dani eventually comes along with them. It is clear from the beginning of the flight that Dani is disconnected not just from Christian but from everyone and everything around her. That’s a recurrent theme: disconnection vs. connection. It’s particularly well expressed when you see her six months after her personal tragedy staring out at the bleak, isolated city scape. This is later contrasted with the healthy, bright, and vibrant Swedish landscape. On the plane, Pelle, their Swedish friend connects more to her by addressing her grief than Christian or any of her other peers do or try to do. He shows compassion and shared suffering. It is clear that, as so many people in the modern world are, she lives in emotional isolation.

That isolation begins to change when she and her friends arrive in Sweden. Pelle drives them to his village but they stop before they get there and he offers them mushrooms. This is their transport from mundane headspace to sacred, ceremonial states of being and its effect on Dani is remarkable. Immediately, we’re given a visual sign of the land accepting her (grass growing through her hand, uniting her with the earth). This also begins her journey from emotional brokenness to wholeness, healing, and strength.

Upon reaching the village, they’re immediately welcomed by the elders. On the way, they meet up with two other foreign guests, a rather obnoxious British couple. Things do not go well for the majority of the group. I’m not going to give a long breakdown of the entire film – I don’t want to ruin it for those who haven’t yet seen it; but I will offer a few highlights.

Dani tries from the beginning to understand and acclimate. Her friends do not. They behave with arrogance from the beginning. The most egregious example of this takes place after two elders have sacrificed themselves (in this community it is customary for elders to commit suicide ritually at 72, giving their life force back to the community). Not only does the British couple desecrate the ritual, possibly causing it to go somewhat awry with the elderly man, but afterwards, when the bodies have been cremated and the ashes spread about a sacred tree that serves as a communal ancestor shrine, one of the young men, after watching the spreading of the ashes, decides he has to take a piss on that tree. It would be laughable if it wasn’t so pathetic. He was incapable of recognizing it as sacred, even when they attempted to explain it to him. (He gets exactly what he deserves and I cheered out loud when that happened). There are several instances of desecration and violation of sacred spaces by the group, each one bringing the appropriate penalty.

Dani, on the other hand, tries to make herself useful and while obviously out of her element, participates in tasks and even in the ritual, winning the role of “may queen,” a ceremonial role that involves blessing the fields and land. In the end, it is Dany who chooses the final sacrifice indicating her new role as a functioning member of this Pagan community, and that she has left her old, dysfunctional life behind. It’s powerful and moved me to tears more than once. At the end, she is robed in a glorious cape of flowers, bright and indicative of growth and new life.

There were things I did not like. Firstly, until a certain age, all members of the tribe live communally. I thought this was ghastly. Of course, I also find the idea of being out in nature ghastly. Lol Thank you, no. I’ll take a hut on the edge of town, if you please. They also have a particularly bred line of deformed, mentally challenged children, ostensibly one per generation that serve as a type of oracle. My husband wasn’t bothered by this, but I was. I found it inappropriate.  At least the elders made it clear he wasn’t the only oracle and he is given an important and functional role in the community, which was good. There were no “throw away” people like we have so often in our culture. I did think he was creepy-cool too. Finally, the Gods weren’t really mentioned. Their symbols were everywhere and if you knew how to read them Their presence was clear as letters on the page of a book but They weren’t actively mentioned save two times very vaguely. They should have been front and center.

On a positive note, the imagery is consistently beautiful. The community is assigned work as adults based on traits they show as children and there are several instances of boys and girls being shown apprenticing to adults. That was lovely. Pay attention to the illustrations on the walls and wall hangings. They tell you exactly what is going to occur. There is one tapestry hanging outside that shows the entire progress of a love spell…a very traditional spell involving pubic hair and/or menstrual blood found in more cultures than I can count and literally one can read it like an open book. (My second outcry in the theatre was to Christian when the girl working the spell makes him a little pie… LOL “Don’t eat that pie!” because I know that spell. Also, in the same scene, his drink is slightly darker than everyone else’s which indicates that the girl probably added her own special ingredient to the drink too!).

The runes were quite correct in every instance of their use. They could, as I said, also be read like an open book to tell you what was going to occur. At the beginning, for their opening communal meal, they have the tables set up in a huge othala, the symbol for home, inheritance, and a healthy community, which is then later changed to gebo as the time of sacrifice approaches. In one instance, Christian (and I don’t think his name was accidental, though the main focus of the movie is the grossness of modernity versus the beauty of tradition and community rather than explicitly Christianity vs. Polytheism) is about to have ritual sex with one of the village girls (approved by the elders because as a small community they need new breeding stock. I thought this qualified as cheating on Dani because he’d never had the courage to actually break up with her, but at the same time, they’d not visibly been behaving like a couple so it’s possible the young girl didn’t know. Then again, there’s always one in every community…). He comes in wearing a shirt with two inguz runes on his chest. In one is the rune tiewaz, which has a secondary meaning of masculine potency and in the other, a reversed algiz, which tells me he’s not living out the end of the movie. Lol. Inguz itself is indicative of fertility and Freyr – which tells you everything you need to know about how that scene is going to play out. Dani at one point wore a dress with a reversed raido and a dagaz on its side. I would have interpreted that as her journey ending in this place but how it ends and what that means as lying within her own power to determine. When Dani finds out what Christian has been up to, she breaks down but unlike her modern world where she would have been left to deal with this grief alone, the other women surround her, hold her, breath with her, mourn with her, and guide her through the pain. It was one of the most beautifully moving moments in the entire film.

 The numbers mentioned in every instance add up to nine, (18, 36, 54, 72 – numerologically they add up to nine) which is very Odinic. The sacrifices made were also Odinic, particularly with the bear being such a potent image during the final ones; however, the holiday itself was the summer solstice and one would have expected it to center around Freyr far more. It was very cool that the Deity imagery was there but I kept finding myself confused because where I expected Vanic things, I got instead Odinic and vice versa. The was a nod to Nerthus in the role of the “May” Queen (ostensibly a May queen in June because it was still too cold to crown a May queen in actual May?): she’s put in a carriage and escorted around the perimeter of the village and fields and gets to bless everything. The names of the Gods were never, ever used though, as I’ve already noted, which was off-putting.  I did like that offerings were buried in the earth: seeds, eggs, raw meat, etc. It reminded me of the Acerbot rite.

Finally, there are two willing sacrifices from the community and while they are given a drug to ease their way at the end before being burned, I think they should have had their throats cut to ensure they died cleanly and did not suffer. Still, the ending was beautiful and powerful and culminates with Dani ostensibly becoming a member of the community.

The biggest things that stood out for me were the examples of modern impiety in the face of what is obviously sacred. With the exception of Dani, every single one of her companions behaved in a way that was self-centered, rude, and just horrible when simple respect and hospitality of the guest would have carried them through had they thought of it (Christian also steals his friend’s dissertation idea, which shows his general lack of character. That’s a killable offense to an academic, or should be lol). They had no respect for the fact they were being welcomed into a sacred space for a very, very special series of rituals. Now that brings up a question that the movie leaves unanswered: namely, did Pelle select the group because he knew they would behave badly and thus render themselves lawful prey to be sacrificed, or could it have gone either way dependent on their behavior? (Dani was an unexpected addition so she was a wild card from the beginning). I like to think the latter.

Overall, the message of the movie was one of the value of piety and tradition against the way that modernity isolates us from all that is wholesome. It was the story of one woman’s journey into health and healing, into sacred consciousness, and joy culminating in her turning away from destructive modern attitudes and the pollution they so often bring and finding acceptance in a family rooted in caring for the land, honoring the Gods, remember the ancestors (and not pissing on their shrine >_<), and celebrating each other. It is every bit as powerful as the “Wicker Man” (though I still prefer Wicker Man for reasons of pace and some stylistic elements. Also, in the “Wicker Man,” the Gods are named, which adds to it immensely).

I highly recommend this movie and give five out of five hallucinogenic mushrooms. 🙂

maxresdefault

Advertisements

About ganglerisgrove

Free-range tribalist Heathen, Galina Krasskova, has been a priest of Odin and Loki since the early nineties. Originally ordained in the Fellowship of Isis in 1995, Ms. Krasskova also attended the oldest interfaith seminary in the U.S.- the New Seminary where she was ordained in 2000 and where she later worked as Dean of Second Year Students for the Academic year of 2011-2012. She has even given the opening prayer at the United Nations Conference “Women and Indigeny”. Beyond this, she took vows as a Heathen gythia in 1996 and again in 2004, She is the head of Comitatus pilae cruentae and a member of the Starry Bull tradition. She has been a member of numerous groups through the years including the American Academy of Religion. She has also served previously as a state government contracted expert on the Asatru faith, and been a regular contributor to various print and online publications geared towards modern pagans and polytheists, and for a time had her own radio program: Wyrd Ways Radio Live. Ms. Krasskova holds diplomas from The New Seminary (2000), a B.A. in Cultural Studies with a concentration in Religious Studies from Empire State College (2007), and an M.A. in Religious Studies from New York University (2009). She has completed extensive graduate coursework in Classics (2010-2016) and is pursuing a Masters in Medieval Studies at Fordham University (expected graduation 2019) with the intention of eventually doing a PhD in theology. She has also been teaching University classes in Greek and Latin. As part of her academic career Ms. Krasskova has written a number of academic articles, and also presented at various academic conferences including Harvard University, Claremont University, Fordham University, Ohio State University, Western Michigan University, Villanova University, and the City University of New York. An experienced diviner and ordeal master, her primary interest is in devotional work and the reconstruction of Northern Tradition shamanism. Her very first book, The Whisperings of Woden was the landmark first devotional text to be written in modern Heathenry. Ms. Krasskova has a variety of published books available running the gamut from introductory texts on the Northern Tradition, as well as books on shamanism, runes, prayer, and devotional practices. She is also the managing editor of “Walking the Worlds,” a peer-reviewed academic style journal focusing on contemporary polytheism and spirit work and the first journal of polytheology. While very busy with teaching and school, she does also occasionally lecture around the country on topics of interest to contemporary Heathenry and polytheisms. A passionate supporter of the arts Ms. Krasskova enjoys going to the opera, theater, and ballet. Her affection for the arts began early as she discovered dance, which she pursued professionally becoming a ballet dancer: first with a regional company in Maryland, then in New York City. After suffering career ending injuries, she would find new forms of expression in the visual arts. For a few years Ms. Krasskova co-owned an art gallery in the Hudson River Valley of New York, and over a course of numerous years she has studied a multitude of art mediums: glassblowing, watercolor, acrylic, photography and more! She is now an avid collage artist, acrylic painter and watercolorist and has even enjoyed placement in international artist-in-residencies programs in New York, New Mexico, and Poland. Her work has been exhibited globally from New York to Paris. She has taken her passion for the arts and polytheistic devotion, to create the Prayer Card Project. Since so much religious iconography has been destroyed, or defaced in the course of human history, she is actively making new religious prayers and iconography available to the various modern polytheistic communities to support those who are building their religious communities, building their devotional practices, and hungering for art that represents their religious faith. All while also supporting the artists within these burgeoning communities.

Posted on July 7, 2019, in community, Community Notes, Heathenry, Uncategorized and tagged , , , , , , , , , . Bookmark the permalink. 5 Comments.

  1. Are you sure this was not meant to demonize “pagans” in general? I was suspicious of it from the start, and still am.

    Like

    • ganglerisgrove

      it may have been (but personally I think the director was using what was, to him, exotic to tell a story) but if so, it missed the mark.

      Like

      • A rural community of Swedish pagans probably represents something vile and horrifying to the director. I really don’t like these movies that say that pagans just want to lure in outsiders to kill them, like we are all out to get everyone else.

        I will grant this. Some of the guests committed blasphemies and misdeeds that made their fates more justifiable, if one considers what they did to be that severe. Most people are not going to see it that way. Take the sacred tree, for an example. Many that saw the movie are just as likely to sympathize with the guy that urinated on it, because he was defying the silly rules of the “creepy cultists”. The audience likely as not does not have a majority that believe in spirits or ancestors or anything like those.

        There is a particular tree I make offerings at. I am careful of anything around it, trash, cigarette butts, anything, let alone urinating on it. And yet I have had to explain this to people twice, with the results being confusion and amusement. They only saw it as a tree; of no value just like any other tree. They were not heathens, but I expected at least a bit of understanding.

        Like

  2. ganglerisgrove

    maybe, but i just don’t care how most people would see it. I think our modern society is so debased, so impious, and the people in it so averse, and sometimes outright hostile to things sacred that it is good to have movies and tv shows that demonstrate proper piety. I’m not a big fan of the tv series the Vikings but there is a scene showing animal sacrifice that is stunningly beautiful and an even more powerful one showing willing human sacrifice. These things inspire, because they allude to what a properly ordered society *should* be like and while most won’t get it, some will and those are the people that i’m interested in.

    that is really sad and infuriating about your sacred tree. I really do think that some people are willfully fucking stupid when it comes to piety. Some things we should not HAVE to be told. I have multiple shrines in my home and it’s always an issue with workmen when they come for any repairs. I actually threw one out, fired him on the spot because, after being told it was a shrine, he desecrated it.

    Like

  3. The runes being appropriate for each scene and occasion makes me wonder who provided the advice for that. Those did not get there randomly. The director seems to have occult knowledge, or someone around him does. That other movie he did reinforces this.

    If you mean the scene where they sacrifice a bull to Freyr during planting, I remember that from the Vikings. That was in the last season that I bothered watching. It was one of my favorite scenes out of the series.

    I have used the word piety in conversation before, and people did not even know the word. I am not exaggerating. It might be a symptom of the stunted vocabulary nowadays, because I often run into that problem. The range of expressions seems to have drastically shrunk. I have also run into some clashes in values over what I considered a noble or pious act. I was talking about Indian history, and mentioned an incident where many Hindu widows burned themselves when their fort was going to fall to the Muslims. Most of the Hindu soldiers that did not die in battle also killed themselves. I said that I saw it as a noble act, worth remembering forever. The people I said that to looked as if I had said something awful.

    I have found some successful methods to communicate with non-heathens. Most around me are indifferent to religion(cultural Christians or atheists), though I know where to find a few Christian zealots. For example, I mentioned making offerings to my ancestors. Someone asked me why I would do that. I told them that I have seen flowers, wreathes, toys, flags, even bottles of alcohol left at graves in the cemetery, and they must have seen those too. I asked where they thought that kind of custom originated. That got the point across. Just saying that something is pious or sacred does not seem to work.

    Like

%d bloggers like this: