The Bacchae – GO SEE IT. OMG. literally.

If any of you are in the NY area, and interested in things Bacchic, or if you just have an interest in good theatre, for the love of the Gods go and see The Classical Theatre of Harlem’s current production of “The Bacchae.” It’s phenomenal. We just got back from seeing the production. Here is the letter that I wrote to the theatre company. 

“My husband and I attended last night’s performance of the Bacchae and I wanted to reach out to you. It was absolutely fantastic. There is no other way to describe it. I’ve taught the play, read it in the original Greek, written about it, and tried my own hand at translating it (serious kudos to the translator of your version, btw). More to the point, both my husband and I are devotees of Dionysos (He has His worshippers in the modern day), so for us, this is a mystery play, a ritual experience and oh, it was. It really, really was.

Neither of us had ever had the opportunity to see it in person, only on youtube clips. We were excited but approached the performance with some trepidation. It is such a sacred thing for us, what if y’all messed it up? what if you missed the core of the story? What if you portrayed Dionysos wrongly? What if….but almost from the beginning, we knew we were in for something special. By the time the chorus began singing “Go Bacchus, Go Bacchus, Go. Bring Back Dionysos” I was crying.

I”ve known for years that theatre was sacred to Dionysos. It never hit me how and why (and I was a ballet dancer professionally until my early twenties. It *should* have been ingrained in me). I”d just never seen this particular play done, the whole thing a glorious invocation to Him, and oh it makes so much sense now. He was so present throughout. That theatre became a temple.

Mr. Brown did a truly phenomenal job. I was particularly moved by the interactions between him and Mr. Foster…the moments after the latter dons female garb and shows such fragility ‘Can you make me beautiful?’ and Dionysos embraces him and says ‘you are beautiful’ and presses his forehead to that of Pentheus…and there’s such compassion for this broken man, and a chance there for Pentheus to heal and embrace who he truly is, for a different story and yet Pentheus turns away from it and back to hard headed and cruel impiety. It was so clear that when he spoke of wanting to tear the women apart, it was that fragile, fey part of himself that he wanted to truly destroy. It was heart-breaking but so few productions (of the snippets I”ve seen online) capture that.

The militancy of the Bacchantes was really well done and the music…the songs to Dione, to Eirene (“Queen of Heaven”) were beautiful hymns of praise. I really love the way the chorus was handled throughout — and usually I’m dubious about modernizing things, but this worked beautifully (and I especially liked the references to the Hudson and East Rivers instead of the Dirce and Ismene Rivers). it made it strikingly relevant. Opening it by an announcement honoring the Lenape people, the ancestors of those originally indigenous to the land where the theatre stands, slipping in an ‘Ashe’ during one of Dionysos’ monologues were particular touchstones for us. At the end, where Agave raves that she needs no Gods…it was so ugly, so impious, so stubbornly resistant to seeing her own part in all that had unfolded…she had learned nothing and it became obvious where Pentheus and his cousin Actaeon had acquired their foolishness. It really showed how we’re all just one step, one decision away from the road she chose to walk.

Oh thank you for such a powerful performance. That is all I wanted to say. I made a donation when I was there, but my household donates to various places quarterly and now you will be one of those places. It is a fitting offering to Dionysos.

be well,
Galina”

The production runs through July 28. Bring water. Bring bug spray. And bring tissues. 

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About ganglerisgrove

Free-range tribalist Heathen, Galina Krasskova, has been a priest of Odin and Loki since the early nineties. Originally ordained in the Fellowship of Isis in 1995, Ms. Krasskova also attended the oldest interfaith seminary in the U.S.- the New Seminary where she was ordained in 2000 and where she later worked as Dean of Second Year Students for the Academic year of 2011-2012. She has even given the opening prayer at the United Nations Conference “Women and Indigeny”. Beyond this, she took vows as a Heathen gythia in 1996 and again in 2004, She is the head of Comitatus pilae cruentae and a member of the Starry Bull tradition. She has been a member of numerous groups through the years including the American Academy of Religion. She has also served previously as a state government contracted expert on the Asatru faith, and been a regular contributor to various print and online publications geared towards modern pagans and polytheists, and for a time had her own radio program: Wyrd Ways Radio Live. Ms. Krasskova holds diplomas from The New Seminary (2000), a B.A. in Cultural Studies with a concentration in Religious Studies from Empire State College (2007), and an M.A. in Religious Studies from New York University (2009). She has completed extensive graduate coursework in Classics (2010-2016) and is pursuing a Masters in Medieval Studies at Fordham University (expected graduation 2019) with the intention of eventually doing a PhD in theology. She has also been teaching University classes in Greek and Latin. As part of her academic career Ms. Krasskova has written a number of academic articles, and also presented at various academic conferences including Harvard University, Claremont University, Fordham University, Ohio State University, Western Michigan University, Villanova University, and the City University of New York. An experienced diviner and ordeal master, her primary interest is in devotional work and the reconstruction of Northern Tradition shamanism. Her very first book, The Whisperings of Woden was the landmark first devotional text to be written in modern Heathenry. Ms. Krasskova has a variety of published books available running the gamut from introductory texts on the Northern Tradition, as well as books on shamanism, runes, prayer, and devotional practices. She is also the managing editor of “Walking the Worlds,” a peer-reviewed academic style journal focusing on contemporary polytheism and spirit work and the first journal of polytheology. While very busy with teaching and school, she does also occasionally lecture around the country on topics of interest to contemporary Heathenry and polytheisms. A passionate supporter of the arts Ms. Krasskova enjoys going to the opera, theater, and ballet. Her affection for the arts began early as she discovered dance, which she pursued professionally becoming a ballet dancer: first with a regional company in Maryland, then in New York City. After suffering career ending injuries, she would find new forms of expression in the visual arts. For a few years Ms. Krasskova co-owned an art gallery in the Hudson River Valley of New York, and over a course of numerous years she has studied a multitude of art mediums: glassblowing, watercolor, acrylic, photography and more! She is now an avid collage artist, acrylic painter and watercolorist and has even enjoyed placement in international artist-in-residencies programs in New York, New Mexico, and Poland. Her work has been exhibited globally from New York to Paris. She has taken her passion for the arts and polytheistic devotion, to create the Prayer Card Project. Since so much religious iconography has been destroyed, or defaced in the course of human history, she is actively making new religious prayers and iconography available to the various modern polytheistic communities to support those who are building their religious communities, building their devotional practices, and hungering for art that represents their religious faith. All while also supporting the artists within these burgeoning communities.

Posted on July 15, 2019, in Art, Bacchic Things, Uncategorized and tagged , , . Bookmark the permalink. 4 Comments.

  1. Keith McCormic

    Wow. I wish we could make the trip.

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  2. I love it when theatre becomes sacred and touches the soul. Like how you wrote “the theatre becomes a temple”. Io Dionysos!

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  3. May Dionysos forgive me, but I can’t get to New York to see it, My only hope is if someone Films or makes a Video of the whole play.

    Liked by 1 person

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