The Colmar Treasure at the Cloisters

For those of you near NYC, the Cloisters Museum is currently having a lovely exhibit of books and jewelry from the 14th Century Jewish community in Colmar, France. It’s all on loan from the Musée de Cluny, Paris and while a small exhibit, definitely worth seeing. I went to a preview a couple of weeks ago (I received a Fellowship in Jewish studies this semester and it was one of the events recommended for us) and I’ll be going at least one more time this semester. (For those of you who, like me, are mobility challenged, please note that the Cloisters is really rough. While there IS an internal elevator, it’s accessible only with the aid of the staff and there are four flights of stone stairs to get to the ticket desk. Good luck). 

I was particularly taken by the intimate nature of so many of the pieces. Most of it is women’s jewelry and if i recall correctly what the curator told us during our tour, the ring size at least points to it all belonging to the same woman, or at least the same family. Material culture is so incredibly fascinating. I took quite a few photos while I was there. The piece that impressed me the most was a wedding ring. It was used only for the actual ceremony in medieval Judaism. The every day ring would have been of solid silver or gold (I was told it was to protect the woman from being taken in by unscrupulous fiances: solid metal is easy to measure so you know precisely what you have). Look at the incredible filigree work:

colmar wedding ring

Then there was this piece, a brooch about the size of a silver dollar. It really highlighted how there was so much cross-cultural contamination (in good ways) between the Jewish community in Colmar and the surrounding Christian majority. The styles in clothing, jewels, and so much more reflected that cross-pollination. 

colmar brooch

And finally there was this MSS that shows three skeletons. Y’all know how I like ossuaries and bone chapels so this immediately appealed to me. They look like they’re having a good time. LOL.

colmar death mss

That’s just a taste of the exhibit — there were too many people there for me to take a lot of photos but if you’re interested, check out the website above. That is all.

About ganglerisgrove

Free-range tribalist Heathen, Galina Krasskova, has been a priest of Odin and Loki since the early nineties. Originally ordained in the Fellowship of Isis in 1995, Ms. Krasskova also attended the oldest interfaith seminary in the U.S.- the New Seminary where she was ordained in 2000 and where she later worked as Dean of Second Year Students for the Academic year of 2011-2012. She has even given the opening prayer at the United Nations Conference “Women and Indigeny”. Beyond this, she took vows as a Heathen gythia in 1996 and again in 2004, She is the head of Comitatus pilae cruentae and a member of the Starry Bull tradition. She has been a member of numerous groups through the years including the American Academy of Religion. She has also served previously as a state government contracted expert on the Asatru faith, and been a regular contributor to various print and online publications geared towards modern pagans and polytheists, and for a time had her own radio program: Wyrd Ways Radio Live. Ms. Krasskova holds diplomas from The New Seminary (2000), a B.A. in Cultural Studies with a concentration in Religious Studies from Empire State College (2007), and an M.A. in Religious Studies from New York University (2009). She has completed extensive graduate coursework in Classics (2010-2016) and is pursuing a Masters in Medieval Studies at Fordham University (expected graduation 2019) with the intention of eventually doing a PhD in theology. She has also been teaching University classes in Greek and Latin. As part of her academic career Ms. Krasskova has written a number of academic articles, and also presented at various academic conferences including Harvard University, Claremont University, Fordham University, Ohio State University, Western Michigan University, Villanova University, and the City University of New York. An experienced diviner and ordeal master, her primary interest is in devotional work and the reconstruction of Northern Tradition shamanism. Her very first book, The Whisperings of Woden was the landmark first devotional text to be written in modern Heathenry. Ms. Krasskova has a variety of published books available running the gamut from introductory texts on the Northern Tradition, as well as books on shamanism, runes, prayer, and devotional practices. She is also the managing editor of “Walking the Worlds,” a peer-reviewed academic style journal focusing on contemporary polytheism and spirit work and the first journal of polytheology. While very busy with teaching and school, she does also occasionally lecture around the country on topics of interest to contemporary Heathenry and polytheisms. A passionate supporter of the arts Ms. Krasskova enjoys going to the opera, theater, and ballet. Her affection for the arts began early as she discovered dance, which she pursued professionally becoming a ballet dancer: first with a regional company in Maryland, then in New York City. After suffering career ending injuries, she would find new forms of expression in the visual arts. For a few years Ms. Krasskova co-owned an art gallery in the Hudson River Valley of New York, and over a course of numerous years she has studied a multitude of art mediums: glassblowing, watercolor, acrylic, photography and more! She is now an avid collage artist, acrylic painter and watercolorist and has even enjoyed placement in international artist-in-residencies programs in New York, New Mexico, and Poland. Her work has been exhibited globally from New York to Paris. She has taken her passion for the arts and polytheistic devotion, to create the Prayer Card Project. Since so much religious iconography has been destroyed, or defaced in the course of human history, she is actively making new religious prayers and iconography available to the various modern polytheistic communities to support those who are building their religious communities, building their devotional practices, and hungering for art that represents their religious faith. All while also supporting the artists within these burgeoning communities.

Posted on October 9, 2019, in academic work, Art, Uncategorized. Bookmark the permalink. Comments Off on The Colmar Treasure at the Cloisters.

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