A Reader Question about Ancestor Elevation
One of my readers, Coastal Pagan asked a very good question about Ancestor Elevation. It wasn’t one that I’d thought to discuss initially but it’s actually a very good question. Also, when we understand the rituals that we do more fully, we can put more into them, perform them more effectively and that is all to the good.
So, Coastal Pagan asked:
“I’m probably drastically overthinking this, but is there a specific reason why you and others suggest using books for the physical raising parts of Ancestor elevations? I’ve never been thrilled with the idea for a variety of reasons. It’s probably either OCD or scrupulosity on my part, but I worry about the books picking up miasma if the elevation goes poorly or even good contagion if it goes well. I use my books regularly, so either of those things could cause problems. I also have visual processing problems galore, so admittedly the idea of having to figure out if several books are approximately the same size stresses me out a bit, lol. I’ve been thinking of buying several bricks and using them exclusively for Ancestor Work, especially specifically for elevations. I have several Ancestors who were bricklayers or related jobs, and one who was a stonemason but switched to bricklaying when he came to America because there wasn’t much call for stonework here. I have no experience with brickwork myself, but it struck me as way to help my Ancestors be more closely involved in the process by using a medium some of them are familiar with, and struck me as similar to the practice of giving the Ancestors tools or other items to help and work with. I also like the idea of the symbolism of bricks being used to build things, including strong foundations. But then, a lot of the nuts and bolts of religious practices seem innocuous, but in reality, aren’t at all. Is there a reason why books are best?”
I was really thrilled to get this question because while it may seem simple, it’s actually touching on a significant part of the elevation process. So, here is my answer:
Hi Coastal Pagan, Ok. for those not familiar with what you’re asking about, ancestor elevations are an open rite that comes originally from spiritualism, one that has been adopted wholesale by the Afro-Caribbean religious community – a testimony to how effective a ritual it is— but also by ancestor workers in general. l learned it at two separate times from Lukumi practitioners. It is a sequence of prayers done nine nights in a row while working a special type of shrine. You can learn more about the ritual itself here. A caveat about the whole process may be found here. While seemingly straightforward and even simple, this ritual has the capacity to heal, strengthen, and “elevate” an ancestor, helping them to do the work they need to do to become better human beings, better keepers of their line, as well as personally healthy and whole and work like this can actually transform an ancestral line, not just extending that healing forward, but allowing it to flow back in the line as well. That is a very, very powerful process.
Now, as part of the elevation, a shrine to a particular ancestor, the focus of the elevation, is set up on the floor. This shrine should include an picture of the ancestor in question, or names written out on paper if you don’t have photos, or something representing him or her. Prayers are given for nine nights and each night, the picture, name, or token of the ancestor being elevated is physically raised up a little bit more, usually by putting a book or brick under it, adding one more each day.
I firmly believe that the raising up of the picture is there as a visual representation for both the dead and for us of what is happening in the elevation. It sends a powerful psychological message to us, our ancestral house, and most importantly of all the ancestor for whom the ritual is being done, one that really drives home the prayer and devotional process being put into play.
Your question about miasma is also an important one. I cover the books with a white cloth so there is a barrier. Furthermore, I handle that by ritually cleansing everything afterwards. Because I usually use books, I will rekan them with mugwort (smoke them by lighting some mugwort or other cleansing incense and let the smoke run over the books). When I elevate, I use one book each night, usually one that’s about an inch thick. I think using bricks would be absolutely brilliant, not only because that solves the problem of variant sizes, but most especially I think it would be potent for you personally Coastal Pagan, because you had ancestors who were bricklayers, so that’s a nice bit of continuity and connection. Also, it is a perfect representation of a foundation that supports.
I use books because I learned this from two urban Lukumi practitioners and for years I lived in a small NYC apartment. ^_^ I had books. I actually really like the idea of using bricks. It doesn’t matter what you use, so long as the image is visually being elevated daily. Don’t stress if they’re not all exactly the same width and size. The important thing is the actual act of raising up the image or token of your dead. Good question and I’m really glad you asked it!
Posted on August 5, 2020, in Ancestor Work, Ancestors, Lived Polytheism, Uncategorized and tagged Ancestor elevation, ancestor veneration, Ancestor Work, Ancestors, practicum, Q&A. Bookmark the permalink. Comments Off on A Reader Question about Ancestor Elevation.