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Riding the Wod

My husband introduced me to this piece of music today. I have it currently on my Dionysos play list because, for whatever reason, it puts me in headspace to honor Him. Today I think I played the Nirvana version something like fifty times as I painted, and it was like riding wod. A friend said to me today that she was always afraid that if she became an artist (and she is, oh her work is beautiful), she would not be able to call the talent forth at will, and one day inspiration might leave leaving her a “one hit wonder.” I assured her that there were so many ways, so many techniques, for opening oneself up to that inspiration, that creative frenzy, to wod. It was just a matter of learning them. One of the ways that I often use is music. 

When I played this today, a day where I could barely walk — literally I had to be lifted out of a chair I was in so much agony because of my back and hips–the pain no longer mattered and there was only frenzy and color and the sound of spirits calling. I painted two things, powerful things all because I rode the music into the place from which wod flows and that music opened me up (1) 

I can ride the wod when I’m doing spirit work for hours. My husband once cut me off  after about seven hours of engaging the spirits (he did right — I hadn’t realized I’d gone into a deeply altered state. He helped me come back and get grounded again with minimal after effects). I can only ride it for an hour or two when it’s painting though. It’s a slightly different hue, a different taste, a different variety and I don’t yet have the stamina. Plus, paint has to dry and practically, it’s like having a tattoo. There’s that moment that one has to pee, or the tattoo artist goes out to smoke, and there’s a break. and the adrenaline and endorphins go away. Then starting up again really sucks. So I’m more mindful now, of the flow and rhythm of things. Everything is rhythm. 

Enjoy this clip of Cobain playing a song that dates back to the early 1800s. 

Notes: 

1. And I never, EVER liked Nirvana before. It was 99.999999% because one of my teachers fell apart and abandoned all responsibility to her students and working group when Cobain died. She just couldn’t handle it and I didn’t understand it then. She didn’t  know him. Why was she so upset? Now I realize she was a guitarist, a musician, and he was a guiding force in her lineage. 

Pain Relieving Dance – Anacreonta 40

(Excerpted from sententiaeantiquae.com’s post here.) 

When Zeus’ child, Bacchus,
That pain-reliever Luaios,
That giver of wine, joins my thoughts
He teaches me how to dance.

τοῦ Διὸς ὁ παῖς ὁ Βάκχος,
ὁ λυσίφρων ὁ Λυαῖος,
ὅταν εἰς φρένας τὰς ἐμὰς
εἰσέλθῃ μεθυδώτας,
διδάσκει με χορεύειν.

satyr

A Very Bacchic Painting for Sale

“Maenad” by G. Krasskova Acrylic on canvas board, framed.

This is one of the paintings that I have in Riverwind’s Art4Life Gallery show in Pawling, NY. It’s an image wherein I blur the line between a young, wild, beautiful/terrifying Dionysos and a rather androgynous maenad. I was reading the Bacchae (againwhen I painted it and wanted the intensity of the connection between Dionysos and those who love Him to come out in the painting. The image represents the interstice between devotee and divinity and where that space between them blurs…or sharpens to a dangerous degree, because the ecstasy of a God is always dangerous – delicious, revealing, restorative, but also a glorious madness. 

My preference would be for this particular piece to go to someone who venerates this God. It was made to be a devotional piece. If anyone is interested in purchasing this, please contact me at Krasskova at gmail.com. Here are the specs: 

“Maenad”

Acrylic on board

It is currently framed in a black wooden frame. 

Framed it is 17×21

Price: $100 plus $20 shipping and handling (if you’re overseas, then shipping will be more – we can discuss). I also have to charge state tax: so total would be $128.13.

I give thanks to Dionysos for the inspiration for this piece and the means to bring it into being and life. 

For those curious about what I’m working on at the moment (as this painting was done about a year before covid, so it is not new), I just finished this 12×16 acrylic on linen canvas, so far titled “Still life with Apples.” It still needs a couple coats of varnish but the first one went on this morning, and I’ll finish the others before bed tonight, hopefully. This is intended for a show in October where I’ll have three still life (is it still life as a plural or still lives when we’re talking paintings? @_@) paintings.

 

Still Life with Apples by G. Krasskova, acrylic on linen.

Hope everyone is having a fruitful Saturday. I’m gallery sitting, drinking chai, and listening to vengeance country. It’s a good day. 

Hermes with Infant Bacchus

I saw this on twitter (courtesy of Astro Museum). It’s a medallion with Hermes (Mercury) holding the infant Bacchus. It’s electrotype by E. Hannaux, French. c. 1895-1905. I just love this image so much, the strength and tenderness in Hermes comes through so palpably.

Medallion with Hermes holding baby Bacchus

May Hermes Be Hailed Now and Always!

What a beautiful thing! Someone did a bit of guerilla art: this person put up a shrine to Hermes in the Brooklyn subway. My friend M. sent me the link yesterday and you can check it out here. I think this is just wonderful (and I particularly like that it looks like some offerings have been made). We need more of this! May Hermes and all our Gods ever and always be loved.

Here are some pictures from the link above of the shrine. May Hermes smile upon whoever did this. Bravo/a.

Coming soon…

Here is a sneak peak at the cover of the next novena book. This image is courtesy of Lynn Perkins. I expect this book to be available in early September. Stay tuned. 🙂

apollofrontcover

Experiencing the Gods – a Reader Question

A reader asked me recently asking whether or not it was really possible to experience the Gods through our senses, to have some type of direct engagement, where we sense, hear, or see the Holy Powers, what is called theophany (from two Greek words: φαίνω “to see” and θεοί “Gods” and meaning essentially to see or perceive the Gods). It was a very good question and forms, I think, one of the most difficult chasms to cross from 20th century post-modernism into actual devotion, and certainly to the type of devotion that informed the world of our ancestors. For our ancestors, including our medieval Christian ones, it was acknowledged that one might experience the Gods via the senses (how else would one experience Them? Our sensorium is the way that we experience every aspect of our world, after all) (1). They set up temples where one could go to pray for dreams, developed mystery cultus to allow for cathartic experience of the Powers, and worked this awareness into their philosophies and literature (2).

I will preface this by saying that I think everyone who experiences the Gods directly does so a little differently and that’s because our brains are not wired to take in something that inhuman and immense. The experience, the Being, the Presence gets filtered through our consciousness, so if person x sees but person y feels or hears that’s a matter of their own inborn facilities/predilections (some people learn better visually, some by hearing, etc.) and how their brain is processing the stimuli. One modality isn’t better than the other. Now onto the actual question!

One thing that I realized with this question is that I didn’t come to Heathenry or even to polytheism unprepared. I had a very good devotional upbringing. I was encouraged to pray, to do novenas, the idea of “God” being able and willing to engage with devotees was not a foreign one so I never self-censored there. I didn’t close that off, the idea that engagement was possible, but I think like a muscle one might work at the gym, the facility to sense the Gods was actively developed through years of prayer and meditation and later shrine work, devotional work, study, etc. Also putting myself in space where it was more likely such contact might occur didn’t hurt, and a couple of years of ritual work further developed that awareness.

I think many times the Gods show Themselves not through the raw impact of visions or direct theophany but through small graces, gifts given through the natural world or one’s daily life and that is potent and powerful too. Learning to see all things as sharing in that connection, that capacity for engagement is important because if we are always looking for the big explosion of Presence that overwhelms, we may miss the small whisper of grace that opens. Both are important and maybe, just maybe it’s the latter that prepares one for the former.

I’ve argued with other spirit workers about whether or not the capacity to experience theophany is part of one’s inborn psychic or spiritual wiring or whether it is something that can be developed through consistent prayer, meditation, and devotional work. I default to the latter and perhaps that is because I was a priest long before I became a spirit worker. It’s also though that I have seen ecstatic ritual move people away from the tightly locked down headspace of their daily lives and into receptivity toward the Gods. I also think that saying one can only experience the Gods directly if one has the inborn talent for it negates the agency of the Gods in this equation, and without that agency no one is going to be experiencing anything!

As a spiritworker I have to say, don’t be upset or discouraged if you don’t immediately receive the feedback of direct experience. You are having experience just by engaging in devotional work and there is far, far more merit in doing that work without the bold and obvious interaction/theophany/etc. than in doing it solely to receive that. Pray without expectation without preconception and you will be opening all the doors of your heart and senses to the glory of our Gods. Besides, theophanies usually come with work. The Gods are there and will usually meet us more than half way if we but start in whatever fumbling capacity we can down the road of devotion. In the end, that’s all that matters.

Notes:

  1. Even in omens, prodigies and κληδόνες, the person receiving such a gift is experiencing that through their sensorium: sight, sound, smell, taste, touch.
  2. One of my favorite passages in the latter is found in the Virgil works in a powerful description of a priestess of Apollo being possessed by Her God:

“But the prophetess, not yet able to endure Apollo, raves in the cavern,

swollen in stature, striving to throw off the God from her breast;

he all the more exercises her frenzied mouth, quelling her wild heart,

and fashions her by pressure.”

At, Phoebi nondum patiens, immanis in antro
bacchatur vates, magnum si pectore possit
excussisse deum; tanto magis ille fatigat
rabidum, fera corda domans, fingitque premendo.

Virgil’s Aeneid, 6 77-83.

I love this description of possession because it so aptly depicts the partnership required and, while it’s been awhile since I’ve read the Aeneid in Latin, I believe in at least one other place, it’s actually described with vocabulary that conjures up the horse and rider paradigm that is used in modern Afro-Caribbean religions to describe the process of Deity possession, a metaphor that many polytheistic traditions use as well.

Note that the word that is here translated as ‘raves’ is ‘bacchatur’ and means to ‘behave in a bacchic manner,’ i.e. to be taken over completely in divinely inspired ecstasy, possibly violent ecstasy. It may also be translated accurately as ‘rave’ or ‘rant’.

I could have translated ‘fingit’ more as ‘tames’ rather than ‘fashions’ though either is an accurate translation. (this isn’t my translation — I’m not sure whose translation this is, but I liked it. I would probably translate it this way: “But, not yet fully opening to Apollo (or enduring Apollo, or allowing Him in, but the sense is that Apollo has not yet seated Himself fully on the prophetess because she is instinctively resisting), immense (vast) in the cave she raves, trying to drive out the great God from her breast; He exhausts her mad fury, taming her wild heart, instructing her by seating Himself fully (this is one of the possible poetic meanings of premendo).

So, just looking at this quickly before I hit ‘post’, I could make several choices in the translation and I’d probably have a half page of footnotes lol.

Suggestion of a Healing Novena

One of my readers contacted me a couple of days ago suggesting that a bunch of us commit to doing a seven day “novena” for Apollo, praying for protection and health in the face of Covid 19. I think this is an excellent idea (and we’re calling it a novena, even though it’s only seven days, seven being a number sacred to Apollo). Here is the email I received:

“During my nightly prayers, an idea came to me. What if a bunch of us polytheists started a sort of Novena to Apollo to combat this virus? Well, maybe Novena isn’t the right word but I was thinking light a candle and using the prayers from your ‘Hymns and Prayers of a Polytheist Household.’ 

Thought I’d pass the idea on to you and maybe your household and others would like the idea.

Obviously, we’d keep doing the common-sense stuff, no hoarding TP, wash hands, etc. What do you think?
JR”

I think it’s an excellent idea. As JR notes, it doesn’t take the place of common-sense measures like hand washing and social distancing – our Gods created medicine and gave us common sense after all!—but it is a spiritual measure that we can take in tandem with these things. Since JR suggested the prayers from my book ‘Hymns and Prayers of a Polytheist Household,’ I’m including the Apollo prayers here.

I plan to begin this cycle tonight and I invite any of you, my readers, who are interested to join me. Thank you, JR, for a wonderful suggestion!

apollo1200x750-copy

(image by Lynn Perkins)

Seven Day Cycle for Apollo

Day 1 – for Apollo, Whose Arrows Never Miss Their Mark

It is to You Whom I turn when the night is darkest.
It is to You, Whom I cry when I am beset and surrounded,
by enemies as thick in number as an unkindness of ravens.
When I call, Oh my Lord, Your arrows gleam so viciously bright in the shadows.
I know I have nothing to fear.
You, Far-Shooter stalk those Who would harm the Gods’ servants,
Your arrows rattling in their quiver, their rhythm making the Moon smile.
You protect what is Your own. You keep pure Your sanctuaries.
You dance across the field of battle before the opponent
even realizes their last dawn has come, splendid in Your wardance.
You, Mighty One, avert all evil, all miasma, all pollution, all harm.
The glorious swan cries a paean to herald Your coming.
Great shooter from afar, Your arrows always find Their mark.
You restore, Lord of the ash, Lord of the bow, Lord of restoration.
May You always be praised. May I always praise You,
and know my place before You in service.

 

For Apollo – Day 2: Who Protects His People from Evil

You are terrible in Your wrath, Son of Leto,
when You stride into battle, gleaming arrows
rattling in their golden quiver.
Rage is too small a word, for the fury
that radiates from You,
more fiery than the sun,
deadlier than any blade.
You protect Your people,
raining plague upon those
who trample upon Your servants.
You strike down the impious,
and stop the evil-doer in his wake.
With Your raging war-cry,
You shatter pollution,
scattering to the winds,
all who would oppose You.
When You let fly Your arrows,
Your aim is ever true
and You destroy them.
None may escape You.
Howling Ares in His battle frenzy
may indeed match Your war-dance,
but You are cold precision, ice to His fire.
You never miss Your mark and when You take
the field of battle, Your heart is empty of mercy.
Agrios, best of hunters,
let Your fury fall upon all
that would seek to challenge divine order.
Set loose Your ravens, turn lose Your wolves,
that they may rend and tear Your enemies,
until You stand unopposed and triumphant.
Be our shield against evil, Bright Son of Zeus.
Hail to You, Apollo.
We will reverence You always,
not out of fear – for we will be ever pious—
but in love, and awe at the terrifying beauty
of Your majesty.
Hear our prayer, we pray.

 

Day 3 – for Apollo: Who makes Whole that which has been Broken

Hallowed One and hallowing,
You make whole that which is broken.
Your gentle hands bring healing,
tenderly encouraging growth and restoration.
Medicus, by Your grace and generative power,
You gifted Asklepius to the world,
and from His children, Mighty Sons and Daughters,
struck a blow against miasma and hurt.
Your temples are sanctuaries and so powerful Your blessings
that even the Christians hailed You, calling You angelic,
and best defender of the heavens.*
On this, they were not entirely wrong.
Yours is a purifying healing force against which
no possible pollution, illness, or malefic spirit may stand.
Your face is glory. Your touch a beautiful solace.
Your very presence is undiluted joy, ecstasy of mind, heart
and most of all, spirit. You move our tongues to praise,
our hearts to reverence, our bodies to celebration.
Enfold us, oh God, sweet and noble Lord, in Your light.
Restore us, Brightest Lord, we pray.
Renew us in all ways, that we may praise You more fully,
and every day with greater joy.
Preserve us, Holy Lord, from all the dank, impious places
we must walk in this world.
Fill us with Your light until no pollution remains
nor the possibility for it to fester and grow.
With this prayer, let us be aligned with our Gods,
with You, mighty Healer, as our advocate.
Hail to You, Apollo, may the warmth of Your blessings flow.

 

Day 4 – For Apollo, Who Bestows Prophetic Power

Frenzied speech You give, the oracle-woman bowed back
with the force of Your Presence in her head,
with the force of Your words erupting like a volcano
from her heart and mind, dancing and blazing on her tongue,
every synapse burning bright, as though she had fallen into the sun.

Frenzied speech and prophetic power You bestow, Great Lord,
weaving like a serpent through the brain, opening doorways
through which Gods and spirits might howl triumphant.
This is a high art, and You train Your women to wield it
swift and sure, mercilessly and sometimes cruelly,
like a surgeon’s blade, deployed keenly and without hesitation.

It is this Power, like the blistering force of a thousand suns,
that shines the wisdom of the Gods into mortal lives.
Those who heed it uphold the will of Zeus,
the immortal hierarchy of the heavens, the glory of the cosmos.
Those who ignore these whispering women glory-sent,
wreak their own destruction and order is again preserved.

It is the pristine ratio dancing, ever turning, ever re-harmonizing in Your hands.
You maintain the radiance of its song, the cosmic majesty of its dancing sequences
through which worlds are born, pass away, and are born again.
Preserver, Savior, Eternal God, Your songs soar in the hearts of those who love You,
and through the cosmos too, restoring order to all things touched by the sourness
of spiritual decay.

May we too join in this dance. May our hearts be patterned for Your song
that like wood in the blazing fire, we may be transformed, into light and heat
and conduits of Your goodness to our sad and broken world, every day of our lives.
Hail to You, Apollo.

 

Day 5 – for Apollo, Whose Love is Fierce

Your love is a terrifying thing to bear,
Sweet and searing, You penetrate to the core.
It is like walking off a precipice,
and whether we fly or fall is all the same
when the ending is You
and the conflagration of Your affections.
Oh Sweet God, burn away all that keeps us from taking that leap.
Let us not be like Kassandra, inconstant, aching,
so hungry for You and yet so afraid. She was a slave to Her fear.
Let our fear never win. Let it instead be the spice
that flavors the feast of the senses You proffer.
Free us from the chains of our terror.
Let us rise proudly into Your embrace
counting as small the consequences of such devotion.
There are always consequences to devotion.
Let us pay the requisite price gladly;
and then let us throw ourselves madly
into the heat of Your Presence.
Hail to You, Apollo, most-longed for God.
Hail to You, and all Your hungers
that fuel the fires of our veneration.

 

Day 6 – Apollo, Who Ever Purifies

Holy Lord, cause my skin to crawl
away from every evil thing.

Bright Apollo, far shooting God
of healers and prophets,
I offer this prayer to You today.

Holy Lord, cause my skin to crawl
away from every evil thing.

Most Holy Apollo,
Klarios, Oulios, Alexikakus,
Who averts all harm,
protect me, oh my God.

Holy Lord, cause my skin to crawl
away from every evil thing.

In Your Presence, oh my God,
nothing impure may stand.
In Your Presence, oh my God,
nothing impious may find purchase.

Holy Lord, cause my skin to crawl
away from every evil thing.

Shining Horios,
keep my boundaries strong,
that no pollution may affect my mind,
my heart, my soul, my work.
Boedromios, preserve me,
as I wade into this filth.

Holy Lord, cause my skin to crawl
away from every evil thing.

I lay my petition before You, Shining God,
that I may stand in the light of Your protection.
To You, Lord Apollo,
I pray.

 

Day 7 – For Apollo, Glory of Olympus

You, Kyrios, are the glory of the Sun,
washing the world clean with Your light
every moment Your horses thunder across its heavens.
Your very presence restores, as light drives out darkness.
Your very song reorders, as its resonance shatters stagnation.
In Your hands lies the balance, the ratio of all the spheres,
A scaffolding of perfection, a purity of sound,
Divine harmony resolving into beauty, through Your music,
You keep those holy chords whole and add to their substance,
filling the world with Your whispered descant,
the potential for regeneration. So, it is with You, oh Medicus.
Your hands bring healing and restoration to us too,
Restoring the harmonies of our flesh, our bones, our rattled synapses.
You hear our most desperate cries, driven by pain and fear, lost in illness,
You hear and the moment Your attention is caught, pain begins its retreat.
The sound of Your attention, the gentle and firm touch of Your power,
Begins again, a dance in which illness has no place save its flight,
Alexikakos, from Your power.
You are the glory of Olympos,
And Your blessings fill the world with beauty.
Hail to You, Apollo Medicus, Father of Healers,
Whose charmed arrows never fail to hit their mark.

 

(All prayers here written by Galina Krasskova, published in “Hymns and Prayers of a Polytheist household” copyright 2020). 

“My Gods” – How We Refer to the Holy

Lately I’ve seen some egregiously bad advice percolating around tumblr (no surprise). The most recent is the idea, articulated as though it was historical fact, that to refer to the Gods as ‘my God’ or ‘my Goddess’ is hubris.(1) I’m not sure where this nonsense is coming from but it’s just that: utter, misguided bullshit.(2)

Each devotional relationship with a Deity is unique. To indicate ownership of that relationship by using the possessive acknowledges that reality. It articulates responsibility for one’s role in that relationship. It acknowledges that someone else may have a very different relationship with the same Deity, that the Gods are independent Beings, capable of relating to Their devotees as individuals, unrestricted by the narrow confines of anything written about Them.

To say “my God …” also articulates an essential difference between one’s own tradition and that of whatever interlocutor with whom one might be speaking. It expresses uniqueness, as each Deity is unique and each devotional relationship is unique, while at the same time giving voice to the tremendous power of such relationships. It is indeed possible to engage with the Gods in significant ways. One’s own engagement does not impinge upon someone else also having an equally significant devotional reality. Language is often problematic when it comes to discussing spiritual reality, the Gods, or indeed anything Holy but I do not believe that this is a situation that falls under that particular rubric.

If we rule out such intimate language than we are tacitly agreeing with the idea, promulgated so frequently in academic circles, that polytheists in the ancient world had no personal devotional relationships with their Gods. This is, of course, also nonsense. Use of the possessive acknowledges the unique nature of each devotional relationship and the rich complexity such relationships bring to one’s devotional and religious life. The only hubris lies in not acknowledging that.

  1. Not only is it anything but hubris, in many indigenous religions, particularly certain ATR, it is common parlance to refer to “my [insert Deity name here]” precisely as a matter of respect, and a reference to certain initiatory realities. If using such language is “hubris” in one tradition, then the implication is that it is “hubris” in every tradition, which I’m sure was not the intent of the original tumblr post. Still, language is a precise instrument, a tool to foster clarity of expression and sentiments like this matter. Now the main focus of the tumblr in question is a rather narrow type of progressive politics, and I cannot help but wonder if the idea of articulating distinctions in one’s devotional and religious worlds bothers the poster because it is creating a border, distinguishing clearly between your tradition and mine, your Gods and mine, your praxis and mine. I don’t think such distinctions are bad things. I think, for the integrity of traditions, they’re necessary. It also brings clarity to any conversation about these topics; after all, one is not by such possessive usage speaking for the Gods, which would indeed be ethically problematic.
  2. So is the same poster’s advice on miasma. Katharmos (cleansing) is NOT just for murder/killing. There are many, many reasons that some type of cleansing might be required. I would suggest R. Parker’s classic text “Miasma: Pollution and Purification in Early Greek Religion” or “Inner Purity and Pollution in Greek Religion” by A. Petrovic and I. Petrovic. My Gods, I wish people would read and critically consider what they read. Also, maybe go beyond Homer, ffs.

Praying to Hermes

“Lovers find secret places
inside this violent world
where they make transactions
with beauty.”
― Rumi

He is beautiful. All Gods when They come to stand before the eyes of the soul are beautiful. Hermes granted me that and it saved me. He came in a dream and I could not breathe. He came in a dream and it was just for a moment that I saw Him and it nourished me though a week that would otherwise have brought me to my knees. Such encounters, no matter how fleeting, change the shape of the soul. They bring our hearts into alignment with the holy just a little bit more. They not only sustain but they transform. I don’t know what I carry now as a result of that encounter but I am so grateful.

It is the work of our souls to fall in love with our Gods, to seek Them out fervently, fiercely, unceasingly. To love a God is a fire that turns our worlds inside out. It brings us back to the moment of creation, the moment the Gods breathed or burned, willed or wove the cosmos into being, the moment divine architecture was created. To love a God means we are woven into being again and again always renewing and renewed. Our souls become intimately bound up in the constant reiteration of divine order. We take part in a song that binds everything in our world to our Gods. We take part in nourishing the Tree that nourishes us in return.

hermes

(“Hermes” by Pierre et Gilles)